Essays on artist and collector estates
Making estates legible before they become invisible.
Die Kunstagentin's essays understand artist and collector estates as cultural situations: work, biography, family, research, institutions, and the art market meet here — rarely at the same time, rarely with the same answers.
They follow no fast-moving news cycle. They open a space for thinking about questions that often only arise once an artistic or collecting life appears to be concluded — and the work on the legacy is, in truth, only just beginning.
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Latest essays
- orientierung16 August 2026Why Estates Need TimeArtistic and collectors' estates almost never arrive at the right moment. Here, time is no delay — it is a tool.
- markt-institutionen21 June 2026When the market matters – and when it doesn'tNot every estate is market-ready just because someone is interested in it.
- struktur19 April 2026The Catalogue Raisonné as InterventionA catalogue raisonné claims completeness. In fact, it makes selections constantly.
- sichtbarkeit15 March 2026Exhibition Is Not the Same as RecognitionAn exhibition is a moment. Recognition is a process that continues long after.
- verantwortung18 January 2026Inheriting Without PreparationNo one prepares for an estate before it arrives. That is exactly what makes the first decisions so hard.
- Case Studies8 September 2024The Estate of a CollectorWhat remains of a collection when its collector's eye is missing. On selection, relationships, provenance, and the question of whether a collection itself forms a context worth preserving.
- Case Studies14 April 2024An Artist's Estate – Questions Instead of AnswersStarting point of my own work on the estate: an extensive body of artistic work, memory, material, first attempts at ordering it, and many open questions.
"An estate is not the end. It is a story still unfolding."
— Anne Scherer